All of us deserve to see our lived experiences reflected in the stories we love, and that's especially important for young people or those who can't express the fullness of their identity in their everyday lives. These books by gay authors and LGBTQ+ writers, as well as fantastic reads with characters who identify as part of the rainbow of identities the acronym encompasses, show us that our literary worlds can (and should!) be as beautifully diverse as the one we live in. But this increased visibility during Pride month shouldn't be a one-month thing - it's an opportunity to expand the diversity of our media consumption all year long. For 30 days, every product from T-shirts to bagels come in a rainbow motif in a nod toward supporting (and earning money from) the LGBTQ+ community. In a dazzling Italy some decades ago, two young men meet and experience a sweeping, happy-sad summer of self-realization together.During Pride month every June, a lot of attention turns to LGBTQ+ culture, including its artists, creators and authors. That may sound roughly like the plot of Luca Guadagnino’s 2017 film Call Me By Your Name, but it is also the story of the perhaps coincidentally named Luca, the latest bittersweet animated film from Disney and Pixar (on Disney+ June 18). The film is about two kids, Luca ( Jacob Tremblay) and Alberto ( Jack Dylan Grazer), who spend most of their time as gilled and finned creatures living under the sparklingly wine-dark Ligurian Sea.
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If they make their way onto land, they magically transform-in appearance, at least-into humans, free to interact with the landlubbers of a small fishing town populated with whimsical characters. Luca and Alberto share an intense, defining, and world-cracking-open bond, but must hide who they really are in the presence of judgmental, fearful others.
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That outline holds an obvious potential for queer allegory, and indeed many Pixar fans tracking the film’s development quickly labeled Luca as the studio’s “gay movie”-a coming-out story to be placed on Pixar’s mantle alongside its meditations on grief, artistic expression, loneliness, Ayn Rand-ian objectivism, and parenting. Finally, Disney might actually venture into queer storytelling, a vast landscape of human experience that the studio has only meekly (and smugly) gestured toward in recent years. The film is lovely and funny, but it operates on a more minor key than some of Pixar’s true classics. It’s mostly the story of a kids’ triathlon competition held in the quaint village of Portorosso, where Luca and Alberto meet a local girl, Giulia, who is also a black-sheep outlier in her staid, conservative town. The goofiness of Luca and Alberto learning to ride bicycles and eat pasta, while trying to avoid water, is the film’s central concern any deeper probing of what the film is actually about will have to be done by each individual audience member.
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There is enough there to graft a queer reading onto-Luca’s doting parents (voiced by Maya Rudolph and Jim Gaffigan) are scared about how Luca’s identity may be greeted by those who don’t understand him, for instance-but the film could just as easily be seen as an allegory for other sorts of difference.